penny-anna:

penny-anna:

Legolas pretty quickly gets in the habit of venting about his travelling companions in Elvish, so long as Gandalf & Aragorn aren’t in earshot they’ll never know right?

Then about a week into their journey like

Legolas: *in Elvish, for approximately the 20th time* ugh fucking hobbits, so annoying

Frodo: *also in Elvish, deadpan* yeah we’re the worst

Legolas:

~*~earlier~*~

Legolas: ugh fucking hobbits

Merry: Frodo what’d he say

Frodo: I’m not sure he speaks a weird dialect but I think he’s insulting us. I should tell him I can understand Elvish

Merry: I mean you could do that but consider

Merry: you can only tell him ONCE

Frodo: Merry. You’re absolutely right. I’ll wait.

LOTR’s concept artists designed the films as a “journey back in time”

hobbithorse19:

lotrfansaredorcs-the-white:

So (according to the concept art book) as the Fellowship travels deeper into Middle Earth, the places they pass through become inspired by progressively older periods of history. The farther along you are in the story, the more ancient the design influences

We begin in The Shire: which feels so familiar because, with its tea-kettles and cozy fireplaces, it’s inspired by the relatively recent era of rural England in the 1800s

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But when we leave Hobbiton, we also leave that familiar 1800s-England aesthetic behind and start going farther back in time. 

Bree is based on late 1600s English architecture

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Rohan is even farther back, based on old  anglo-saxon era architecture (400s-700s? ce)

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Gondor is way back, and no longer the familiar English or Anglo-Saxon: its design comes from classical Greek and Roman architecture

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And far far FAR back is Mordor. It’s a land of tents and huts: prehistoric, primitive, primeval. Cavemen times

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And the heart of Mordor is a barren lifeless hellscape of volcanic rock…like a relic from the ages when the world was still being formed,  and life didn’t yet exist

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And then they finally reach Mount Doom, which one artist described as 

“where the ring was made, which represents, in a sense, the moment of creation itself”

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@luckynumber1213 this is awesome to know!

Frodo Laid a Geas (and other invisible magic)

mikkeneko:

mikkeneko:

mikkeneko:

mikkeneko:

mikkeneko:

This was so obvious when I realized it, but I think most people miss
it, because we’re so desensitized by D&D-style magic with immediate,
visibly, flashy effects, rather than more subtle and invisible forces
of magic. When Gollum attacks Frodo on the slopes of Mount Doom, Frodo
has the chance to kill him, but he doesn’t. Instead, he says:

Frodo: Go! And if you ever lay hands on me again, you yourself shall be cast into the Fire!

Frodo’s not just talking shit here. He is literally, magically laying a curse. He’s holding the One Ring in his hands as he says it;
even Sam, with no magic powers of his own, can sense that some powerful
mojo is being laid down. Frodo put a curse on Gollum: if you try to
take the Ring again, you’ll be cast into the Fire.

Five pages later, Gollum tries to take the Ring again. And that’s exactly what happens.
Frodo’s geas takes effect and Gollum eats lava.

On further reflection:

All the other people in the franchise who were offered the Ring declined to take it because they were wise enough to know that if they used its power – and the pressure to do so would be too great – they would be subject to its corruption.

Frodo uses the power of the Ring to lay a geas, and then five minutes later at the volcano’s edge, succumbs to its corruption. The Ring has gotten to him and he can no longer give it up. Because he used its power.

On further further reflection: I’d have to read the section again, but I recall that after throwing Gollum off and laying the geas, Sam observes that Frodo seems suddenly filled with energy again when previously he had been close to dead of fatigue. He hikes up the mountain so fast he leaves Sam behind – and doesn’t even seem to notice that he’s left him behind. 

Could he have been drawing on the Ring’s power at this point in the story?

At this point in the story we’re relying on Sam’s narration, and Sam doesn’t know what’s going on in Frodo’s head, so it’s hard to say for sure.

Having used it once, after spending so long holding out against it, was that the breach in the dam?

Which means that the moment that Frodo succumbs to temptation is not the moment at the volcano – it was already too late by then. The moment he is taken by temptation was when he used the power of the Ring to repel Gollum.

If so, this ties in neatly with discussions I’ve seen about how Tolkien subscribes to a “not even once” view of good and evil – that in many other works it’s acceptable to do a small evil in service of a greater good, but in Lord of the Rings that always  fails.

Re-reading Fellowship of the Rings, and I got to this passage in Lorien:

‘I would ask one thing before we go,’ said Frodo, ‘a thing which I often meant to ask Gandalf in Rivendell. I am permitted to wear the One Ring: why cannot I see all the others and know the thoughts of those that wear them?’

‘You have not tried,’ [Galadriel] said. ‘Only thrice have you set the Ring upon your finger since you knew what you possessed. Do not try! It would destroy you. Did not Gandalf tell you that the rings give power according to the measure of each possessor? Before you could use that power you would need to become stronger, and to train your will to the domination of others.’

In other words:

Frodo asks Galadriel, herself carrying a Ring of Power, “Could I, hypothetically, use the power of the One Ring to do something magical aside from turning invisible?” and Galadriel replies, “Yes, hypothetically, you totally could, assuming the magic you want to do involves laying compulsions on others, but I strongly recommend against it, because it would fuck up your brain.

This was in the first book. At the end of the third book Frodo uses the Ring to fuck Gollum up, forcing him to throw himself into lava if he disobeys Frodo’s commands.

Talk about a chekov’s gun.

Got to this point in my re-read and uh. This was a lot  less subtle than I remembered it.

‘Down, down!’ [Frodo] gasped, clutching his hand to his breast, so that beneath the cover of his leather shirt he clasped the Ring. ‘Down, you creeping thing, and out of my path! Your time is at an end. You cannot slay me or betray me now.’

Then suddenly, Sam saw these two rivals with other vision. A crouching shape, scarcely more than the shadow of a living thing, a creature now wholly ruined and defeated, yet filled with a hideous lust and rage; and before it stood stern, untouchable now by pity, a figure robed in white, but at its breast it held a wheel of fire. Out of the fire there spoke a commanding voice.

‘Begone, and trouble me no more! If you touch me ever again, you shall be cast yourself into the Fire of Doom.’

Then the vision passed and Sam saw Frodo standing, hand on breast, his breath coming in great gasps, and Gollum at his feet, resting on his knees with his wide-splayed hands upon the ground.

Yeah.

saintalia:

saintalia:

actually the best part of the lotr cast commentary is getting to hear about sir ian mckellen’s gay agenda

i phrased this as a joke because it is pretty funny but its also worth reading what he said:

IAN: When I suggested to Sean that he took Elijah’s hand it was because I thought anyone who knew the book would care about the deep friendship, often of an innocently physical nature, and that might’ve been missed by two resolutely heterosexual actors who mightn’t appreciate that gay people like myself saw in a touch something perhaps more meaningful than others might. So to persuade him to touch Elijah, I’d say, “Well look, it’s in the book.”

[Sean & Elijah in a separate recording]

SEAN: Ian brought the book to me right before we shot it and he said, “Now look here, it says that Sam runs over and grabs Frodo’s hand,” he said. “The fans of the book are going to want to see that.” I sort of—I believed it, and I got a fan letter the other day that a neighbor friend handed to me, and it said how much it meant to her that Sam holds Frodo’s hand at that moment because it was something that she—it was one of the most important moments to her in the book.
ELIJAH: Oh, that’s fantastic. It’s those subtle little nuances, man.
SEAN: So thank you Ian.
ELIJAH: That’s unbelievable.

alloverthegaf:

alloverthegaf:

alloverthegaf:

alloverthegaf:

alloverthegaf:

alloverthegaf:

alloverthegaf:

alloverthegaf:

alloverthegaf:

alloverthegaf:

alloverthegaf:

alloverthegaf:

alloverthegaf:

just pullin monster foetuses out of the goddamn ground like your worst nightmare’s version of harvesting

ah yes got a great crop of demon babies this year, will keep us going all winter

ooohhh fellas get out of there

I don’t want to leave

I will find you there

oh man no you won’t you’re absolutely gonna die

I can’t believe they’re introducing more characters it took me three and a half hours to learn the names of the first lot

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it’s Dumbledore and Filch only older and slimier BOOM first HP reference of the movie

THE DUDE’S TOO OLD TO SPEAK I get loyalty and shit but maybe like time to pass on the throne??

who would win

keep breathin’ *huff* that’s the key.

me @ every cross country

honestly the amount of footage dedicated to them running I’m exhausted just watching them

you think… we might’ve made a mistake, leaving the shire?

OH SURE NOW YOU THINK ABOUT IT

they’re trying to wriggle away with their hands and feet bound from the very edge of an army of orcs and super orcs and I’ll give them this you can’t beat a hobbit’s optimism

THIS IS NOT WHO I WAS EXPECTING TO SAVE MERRY AND PIP

AM I RELIEVED? OF COURSE

AM I ALSO A LITTLE DISAPPOINTED? MAYBE

the red sun rises. blood has been spilled this night.

hey bud you’re not wrong but I think that’s just a normal sunrise there. like let’s be real a red sun rose every time blood was spilled ya’ll would never get a blue sky

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Frodo Laid a Geas (and other invisible magic)

zenosanalytic:

mikkeneko:

mikkeneko:

mikkeneko:

mikkeneko:

mikkeneko:

This was so obvious when I realized it, but I think most people miss
it, because we’re so desensitized by D&D-style magic with immediate,
visibly, flashy effects, rather than more subtle and invisible forces
of magic. When Gollum attacks Frodo on the slopes of Mount Doom, Frodo
has the chance to kill him, but he doesn’t. Instead, he says:

Frodo: Go! And if you ever lay hands on me again, you yourself shall be cast into the Fire!

Frodo’s not just talking shit here. He is literally, magically laying a curse. He’s holding the One Ring in his hands as he says it;
even Sam, with no magic powers of his own, can sense that some powerful
mojo is being laid down. Frodo put a curse on Gollum: if you try to
take the Ring again, you’ll be cast into the Fire.

Five pages later, Gollum tries to take the Ring again. And that’s exactly what happens.
Frodo’s geas takes effect and Gollum eats lava.

On further reflection:

All the other people in the franchise who were offered the Ring declined to take it because they were wise enough to know that if they used its power – and the pressure to do so would be too great – they would be subject to its corruption.

Frodo uses the power of the Ring to lay a geas, and then five minutes later at the volcano’s edge, succumbs to its corruption. The Ring has gotten to him and he can no longer give it up. Because he used its power.

On further further reflection: I’d have to read the section again, but I recall that after throwing Gollum off and laying the geas, Sam observes that Frodo seems suddenly filled with energy again when previously he had been close to dead of fatigue. He hikes up the mountain so fast he leaves Sam behind – and doesn’t even seem to notice that he’s left him behind. 

Could he have been drawing on the Ring’s power at this point in the story?

At this point in the story we’re relying on Sam’s narration, and Sam doesn’t know what’s going on in Frodo’s head, so it’s hard to say for sure.

Having used it once, after spending so long holding out against it, was that the breach in the dam?

Which means that the moment that Frodo succumbs to temptation is not the moment at the volcano – it was already too late by then. The moment he is taken by temptation was when he used the power of the Ring to repel Gollum.

If so, this ties in neatly with discussions I’ve seen about how Tolkien subscribes to a “not even once” view of good and evil – that in many other works it’s acceptable to do a small evil in service of a greater good, but in Lord of the Rings that always  fails.

Re-reading Fellowship of the Rings, and I got to this passage in Lorien:

‘I would ask one thing before we go,’ said Frodo, ‘a thing which I often meant to ask Gandalf in Rivendell. I am permitted to wear the One Ring: why cannot I see all the others and know the thoughts of those that wear them?’

‘You have not tried,’ [Galadriel] said. ‘Only thrice have you set the Ring upon your finger since you knew what you possessed. Do not try! It would destroy you. Did not Gandalf tell you that the rings give power according to the measure of each possessor? Before you could use that power you would need to become stronger, and to train your will to the domination of others.’

In other words:

Frodo asks Galadriel, herself carrying a Ring of Power, “Could I, hypothetically, use the power of the One Ring to do something magical aside from turning invisible?” and Galadriel replies, “Yes, hypothetically, you totally could, assuming the magic you want to do involves laying compulsions on others, but I strongly recommend against it, because it would fuck up your brain.

This was in the first book. At the end of the third book Frodo uses the Ring to fuck Gollum up, forcing him to throw himself into lava if he disobeys Frodo’s commands.

Talk about a chekov’s gun.

Got to this point in my re-read and uh. This was a lot  less subtle than I remembered it.

‘Down, down!’ [Frodo] gasped, clutching his hand to his breast, so that beneath the cover of his leather shirt he clasped the Ring. ‘Down, you creeping thing, and out of my path! Your time is at an end. You cannot slay me or betray me now.’

Then suddenly, Sam saw these two rivals with other vision. A crouching shape, scarcely more than the shadow of a living thing, a creature now wholly ruined and defeated, yet filled with a hideous lust and rage; and before it stood stern, untouchable now by pity, a figure robed in white, but at its breast it held a wheel of fire. Out of the fire there spoke a commanding voice.

‘Begone, and trouble me no more! If you touch me ever again, you shall be cast yourself into the Fire of Doom.’

Then the vision passed and Sam saw Frodo standing, hand on breast, his breath coming in great gasps, and Gollum at his feet, resting on his knees with his wide-splayed hands upon the ground.

Yeah.

And notice where the voice comes from: “Out of the fire”. The Ring, a piece of Sauron, is done with Gollum, and so when Frodo –in his extremity; feeling threatened and helpless– reaches for the power of The Ring to protect himself, both he and The Ring, a piece of Sauron, speak the curse.

Another interesting thing about this is the curse itself. The “Fire of Doom” is the only thing that can destroy The Ring, and so naturally THAT would be the thing, possibly the only thing, The Ring fears.

Another Another interesting bit of this is the use of “white” here. Tolkien gets read as morally Manichean alot and there’s def reasons for that, but the relationship of white-light-purity-goodness is much more tenuous in his books than I think it gets credit for, if perhaps only subtly. Saruman the White was corrupted, and an ally of Sauron undermining the cause. Galadriel is shining and beautiful and yet she uses her Ring, is unable to resist its power as Frodo does for most of his journey, even if she has found ways to do so less dangerously than the other Bearers did. And in this scene, when Frodo is at his worst, Sam sees him/his soul represented as shining white; Cold and Unreachable by the pity, compassion, and empathy which moved him to befriend and attempt to help Gollum,
in thrall to The Ring’s manipulation. Whiteness and Brightness has a strong association with Corruption and falling to Corruption in LotR.

I think one point Tolkien might have been trying to get across with this(or at least, one way we can read it regardless of what he meant) is this: a conviction in one’s own Righteousness and Purity can be, in itself, an opening to moral corruption. With Saruman we see that corruption through pride in one’s intellect and essential purity; with Galadriel, perhaps it’s meant to be vanity in one’s own power and righteousness(“I do a bad thing, but it is for the noble cause of protecting my people”); and with Frodo we see that corruption in the denial of empathy and compassion to Gollum out of disgust and fear. They feel Justified, and it is precisely that sureness in their Justice that leads them to injustice. So there’s an important reminder that morality requires constant skepticism of yourself and your own morals, and a constant awareness of the complex ways your values are involved with the particulars of the situations you’re in to be gleaned from this.

And this characterizes The Ring and Sauron, too. What makes them truly insidious and dangerous isn’t the power they can throw against your weakness; it’s the leverage they can bring against your strengths and your morals to turn them against themselves, and to their purpose.