hey thanks! first of all, i’m flattered youre asking me of all people questions about process and stuff. second of all, i hope this stuff will be helpful to you. but i get the impression that everyone’s process is different because people are different for how we visualize the world around us or the images in our heads. for example, i sincerely hate doing linework because i visualize images in color blocks not lines. other people love linework and emphasize that part of the process the most.
thirdly, thanks for the nice things you say.
so this is kind of my process (for this spring weather thing here). details under the read more cut.
i use Mitsubishi Hi-Uni 10B Pencil (scroll down) for clip studio paint! other than that i use default hard brushes to color/shade
i really like it, as it simulates pencil pretty well! i also occasionally just draw on paper + scan,, a lot of my older stuff on here was done that way
Hi! Happy Tuesday! Today’s tip is on one of my favorite subject, color theory; specifically on chromatic fringe.
It is the red fringe or hot saturated color you see at the edge of cast shadow and where it meets the light area. The rougher the object edge casting the shadow or the further away the object is, the more red fringe you’ll see. This is different than chromatic abberation, which is color fringing caused by lens failure. You can see chromatic fringe with your eyes. The more you paint from life and make observation, the easier it is to see. It’s one of those things that once you see it, you cannot unsee. 🙂 XO,
Griz
#griz #grizandnorm #tuesdaytips #colortheory #chormaticfringe #grizandnormtuesdaytips #grizandnormkittycatclub
ps. On stylized painting, where you want to have a hard edge on a shadow, you don’t always have to put it. Like everything in art, you can choose to put something in or not. But it’s always good to know your basic and know the rules before breaking it. Happy painting!
i'll apple your turnover 