honeyhardcandy:

thecaffeinebookwarrior:

the-prince-of-tides:

fluffmugger:

cryingalonewithfrankenstein:

nitrosplicer:

ghostloner:

scarlettaagni:

real-faker:

sanguinarysanguinity:

lauralandons:

txwatson:

lieutenantriza:

insanitysbloomings:

siderealsandman:

bravinto:

idlewildly:

eccentwrit:

asexualzoro:

cleverest-url:

rebel-against-reality:

w3rewolf-th3rewolf:

schrodingers-rufus:

fuchsiamae:

silverilly:

repulsion-gel:

fuchsiamae:

an incomplete list of unsettling short stories I read in textbooks

  • the scarlet ibis
  • marigolds
  • the diamond necklace
  • the monkey’s paw
  • the open boat
  • the lady and the tiger
  • the minister’s black veil
  • an occurrence at owl creek bridge
  • a rose for emily
  • (I found that one by googling “short story corpse in the house,” first result)
  • the cask of amontillado
  • the yellow wallpaper
  • the most dangerous game
  • a good man is hard to find

some are well-known, some obscure, some I enjoy as an adult, all made me uncomfortable between the ages of 11-15

add your own weird shit, I wanna be literary and disturbed

The Tell-Tale Heart, The Gift of the Magi, The Celebrated Jumping Frog of Calavaras County, Thank You Ma’am

the box social by james reaney. i remember we all had to silently read it in class, and you would hear the moment everyone reached the Part because some people would audibly go “what”

wHat did I just put my eyes on

“The Veldt” by Ray Bradbury

Not quite a short story, but read in class: “The Monsters are Due on Maple Street” from The Twilight Zone

Harrison Bergeron, Cat and the Coffee Drinkers

“Where are you going and where have you been” by Joyce carol oates

“The Pedestrian” by Ray Bradbury

the lottery by shirley jackson

i can’t believe Roald Dahl’s “The Landlady” wasn’t already mentioned

and also it’s not so much unsettling as more absurdist but “The Leader” by Eugene Ionesco definitely made me go wtf

Ett halvt ark papper.
I cried so much.

Ночь у мазара, А. Шалимов

A Sound of Thunder by Ray Bradbury

I Have no Mouth, and I Must Scream by Harlan Ellison

The Lottery by Shirley Jackson

All Summer in a Day by Ray Bradbury 

Some of Us Had Been Threatening Our Friend Colby, by Donald Barthelme

I read Ray Bradbury’s “All Summer In A Day” in seventh grade (it wasn’t assigned, I was just going through my textbook for new stuff to read) and as a bullied kid with SAD, it Fucked Me Up.

An Ordinary Day with Peanuts, by Shirley Jackson

Eh, this was more like community college, but The Star by Arthur C. Clarke

Lamb to the Slaughter by Roald Dahl

and this story that I can’t remember the name of and can’t find, though it might be by O. Henry? it’s about a bunch of demons who want to stop Santa Claus from going through with Christmas, and he must travel through the mountains they inhabit to escape their vices? (good christ I can’t remember the name for the life of me)

Ok but the laughing man and a good day for bananafish but j.d. Salinger

The City (195) Ray Bradbury. An intense commentary on colonialism and space exploration. I read it for a sci fi survey class.

Another short story I read in that sci fi class was Vaster than Empires and More Slow (1971) by Ursula K. Le Guin. A commentary on humanity and how human we believe ourselves to be. Also, an interesting commentary on mental health.

In the Woods Beneath the Cherry Blossoms in Full Bloom, written in 1947 by Ango Sakaguchi. It made my skin crawl the first time I read it.

Also going to recommend For A Breath I Tarry by Roger Zelazny, a commentary on whether AI can become human in a future without humans: http://www.kulichki.com/moshkow/ZELQZNY/forbreat.txt

whoever posted “The Laughing Man” and “A Good Day For Bananafish” is Correct

All of Flannery O’Connor’s shorts.

I didn’t read it in a text book, but “I Have No Mouth, and I Must Scream” haunted me for life.

i scrolled straight to the bottom of this post to reblog it and save it for later, but i cannot BELIEVE with so many replies, “I Have No Mouth and I Must Scream” is the bottom-most addition

tieflinggay:

i will defend improvised storytelling till the day i fucking die i think stories told by people under pressure to do it fast, stories told in collaboration…. that shits gorgeous and ALIVE. have you ever gone to a writing workshop and someone writes the rawest shit in the entire world during a ten minute free write? playing dnd and some dialogue is so moving it makes you wonder how it came from your dumbass friends? got really into one of those ‘one sentence at a time’ campfire story games and ended up making something— totally unrecorded, lost except to the people who were there— that should have been in the fucking moma?

people are full to the BRIM with stories and honing that storytelling into a specific practice (ex. writing) is for sure a learned skill that takes tons of practice to do effectively but…… it’s there. it’s there and anyone can tap into it if they’re given opportunity and an audience to say it to.

look, the point of telling stories is to connect with other people. and all we’ve ever done throughout human history is connect connect connect so is it any wonder when you put a human being in front of an outlet and you say ‘tell me a story’, no one stays silent? 

theartofanimation:

Lorene BARIOZ
 –  http://dragibuz.tumblr.com  –  http://lorenebarioz.com  –  http://dragibuz.blogspot.com.es  –  https://www.facebook.com/dragibuz  –  https://www.behance.net/dragibuz  –  https://www.etsy.com/fr/shop/Dragibuz  –  https://drawcrowd.com/lorenebarioz  –  https://www.inprnt.com/gallery/lorene.barioz  –  https://www.linkedin.com/in/lor%C3%A8ne-barioz-36b72650  –  https://twitter.com/Dragibuz

brianwfoster:

One thing I told myself the last few months was to keep posting more on Tumblr because I love all my fancy diamonds on here (you). So here goes with some behind the scenes/Between The Sheets stuff. First up, here’s more photos by our wonderful Chris Lockey from the filming of Liam’s episode.

Liam went to all the places with me, and he didn’t have to.

I’ve told everyone the same thing before we film each episode: We’re gonna talk about a lot of stuff, if you don’t want to talk about something, tell me, if we talk about something and you realize after the fact you’d rather not share that…tell me. It’s part of why we don’t do these live. Live streams add a lot of anxiety and impatience and expectations and logistics. We’ve gone to some deeper places on Talks before, but the live element and time restraints prevent us from going to the places we are going to with this show.

I wanted everyone to be as comfortable as possible. So we pre-tape them and I can edit stuff out if needed. It should be noted that we haven’t cut out anything shared from any episodes so far. We edit the transitions and we also have to occasionally pause for a helicopter or dump truck outside. I will also take pauses before or after a heavier subject to give my guest some time to breathe and process, and to check in with them, then we get back to it when they’re ready.

We film one episode per week (on Thursday afternoons. Yes, right before Critical Role). I spend the rest of the week and weekend working with our editor on all the other episodes we’ve filmed already. So while Liam’s episode was set to air Monday, I was in my hotel at 4am in New York this weekend making notes and changes on Liam’s, Sam’s, and Marisha’s episodes. We usually have 3 episodes being worked on at a time, and it’s a massive effort by our whole team.

Once a day of filming arrives, we hang out and talk for a while before. We eat lunch and our wonderful Diana does our hair and makeup, and she’s always playing good music like Nick Cave in the makeup room, which gets me in a great place. When we get to the set, Marisha and Max are there to guide the production process smoothly and also make everyone feel at home, and they do a killer job.

Once it’s time to go, we have our drinks and we turn all the lights off so it’s just us. You forget about the camera person, sound, Max, Marisha, everything after a few minutes, and it’s just two people having a drink at a bar and talking at that point.

You see what happens next.

After we wrap, there’s a lot of hugging, some tears, tons of laughter, and a sense of hope. It’s strange, spilling your inner thoughts and feelings on a variety of experiences—knowing it will live on the internet forever. It’s this uncanny dump and recharge of emotions…then they sit at the table and do CR for 4 hours after. I’ve paid attention to every episode of CR and to the corresponding cast member who filmed their BTS episode that day, and I can see the joy and the light and the passion and love in them sometimes an hour after talking about and reminiscing over what this game has meant to them. If this silly little show could give anything back to this cast, I hope it’s that gentle reminder of how this came to be, the lives it touches, the impact it’s had, the inside jokes and the community it has spawned. I hope it has reminded them of why they do what they do.

To be honest, I am overjoyed at the response to this show. For this season, I told Marisha “I need everyone to see a side of each of you they may not have seen before, the side we all know”. I’ve tried my best to structure the interviews not based on a career trajectory, but on what was happening with them as real people while this career stuff was going on. Folks out there are not going to relate to the IMDB pages of the cast of Critical Role. But the human and everyday life experiences they’ve gone through while also happening to be these amazing talented and successful people are in some way relatable to us all. We’ve lost a parent, we’ve lost a job, we’ve experienced tragedy, triumph, praise and criticism. We’ve been the victims and the perpetrators of tragedy, all while moving through the human experience and hitting milestones in our lives like a promotion or starting a family.

It’s easy these days, with the fabled concept of “celebrity”, to disconnect a person you watch for entertainment from the struggle and the hustle and the heartache of life. I’m hoping this show grounds these people for you and connects the tissue from them to you as fellow travelers on the journey. Because my beloved, that’s all we are, fellow travelers.

This little window into our people and our world is already having such a profound response, I can’t help but feel gratitude.

A friend of mine used to say “Asking questions is a great way to find the part of life you’re missing”, and this show has shown me that tenfold already.

Thank you for your love and support. You are and always will be the wind in our sails.

theartofanimation:

Lois van Baarle

 –  
http://blog.loish.net  –  https://www.kickstarter.com/projects/1022149620/the-art-of-loish-a-look-behind-the-scenes  –  http://loish.net  –  https://www.inprnt.com/gallery/loish  –  http://www.kaifineart.com/2014/12/lois-van-baarleloish.html  –  https://www.amazon.es/Art-Loish-Behind-Scenes-Baarle/dp/B01B98RGW6/ref=sr_1_3?s=books&ie=UTF8&qid=1468180525&sr=1-3  –  https://twitter.com/loishh  –  https://www.youtube.com/watch?v=OiTwzRGHWI0  –  https://vimeo.com/loish  –  https://www.youtube.com/watch?v=RosV5qpvwqQ  –  https://www.instagram.com/loisvb  –  https://www.facebook.com/loish.fans  –  http://www.dailymotion.com/loishh