Lando opened the upper hatch. In the distance he glimpsed the three TIE fighters approaching the Falcon, their laser guns brightening the twilight sky with streaks of hot destruction. Lando stretched his body out of the hatch and reached to grasp the battered warrior and pull him inside the ship. Just then the Falcon lurched as a bolt exploded near it, and almost threw Luke’s body overboard. But Lando caught his hand and held on tightly.
Category: Uncategorized

Growing Your Iceberg: Crafting a Secondary World That Feels Ancient in 60 Minutes (or less) By N.K. Jemisin
PDF on Worldbuilding 101 from N. K. Jemisin!
one by one, i’m gonna get my properties all bundled up,
to the branch of a poplar tree and saunter off,
with a buck and a wildebeest,
well, i’m getting lost, i’m getting lost.

How about this: no *explicit* material involving minors under 15 on AO3. That seems reasonable. If you admit that teens get around age restrictions AND that abusers can groom with them, then something has to change. That involves placing a fair chunk of stories under more stringent lockdown. Yeah AO3 can’t go, and you fandom vets are always harping on about how censorship sank previous spaces, but goddamn is there no way to protect the the more vulnerable fans without raising your hackles?
1. How do you define explicit? Does this mean no depictions of child abuse, even for the purpose of telling a story about how wrong it is and showing a victim’s recovery? Can younger teens have realistic sexual encounters in stories so long as nothing is shown on page, or is it wrong to imply explicit goings-on even if they’re not depicted? Where, exactly, do we draw the line between heavy petting and sex? Can a character have a wet dream or masturbate? Can a character think about sex in detail, even if they’re not depicted having it? I’m not trying to be difficult: I’m just trying to make it clear that what you’re proposing, even when you phrase it simply, is inherently difficult to implement. Stories would have to be vetted and actively moderated, a massive undertaking that AO3 isn’t equipped to manage, and any such process would still ultimately hinge on individual judgement, which means you’d still have people dissatisfied with the outcome.
2. Teenagers who choose to ignore age-ratings and warnings for the material they consume are responsible for their own experience beyond that point: it is not the job of authors or the website to say, “Okay, we know this content is explicitly meant for adults, but let’s make it less adulty just in case a teenager gets in here.” You can’t protect people from their own bad judgement and its consequences without making their lack of responsibility someone else’s responsibility, which is decidedly unfair.
3. Abusers groom victims with a wide range of material and arguments, and have done so long before the existence of AO3. Whenever this happens, we blame the abuser, not whatever story they used to justify themselves. This is also why, when murderers or other criminals take their inspiration from crime fiction novels or psychologically darker works, as has happened on multiple occasions, we blame the criminals, not their taste in fiction. Locking down on what can be written about child abuse won’t get rid of paedophiles, but it will make things more difficult for victims who use fanfic as catharsis.
Here’s the thing: tagging works on AO3 is how we protect vulnerable fans, by giving them tools to navigate away from distressing themes or content. Taking something away from one person so its mere existence doesn’t upset someone who was never going to read it anyway isn’t a protective act, but a judgemental and dismissive one. To use an analogy, there are plenty of people in the world with deathly nut allergies, but that doesn’t mean we ban an entire food group: it means we label things that have nuts in them, even trace amounts, so that nobody gets hurt. Do accidents still happen? Yes! Are some people assholes about food allergies and dietary restrictions? Yes! But does that mean the solution is to ban nuts entirely? No! And it’s the same with fanfic.
things to do while you wait for your dnd groups to meet again:
- create a family tree for a character you’ll never get the chance to play
- make yet another tiefling
- find race and class combos you haven’t had the chance to play yet
- dig up an old character and revamp them
- make playlists for your characters. get emotional when you listen to them
- start writing backstory for your backup character
- come up with elf names by mispronouncing common words
- check your groupchat for updates you know won’t be there
- speculate on how you’re all going to die next session
- listen to dnd podcasts to both ease and worsen the void in your soul
- buy another dice set
Murder on the Rockport Limited exists in this weird liminal space because it’s better constructed than Gerblins but they still haven’t QUITE figured out how seriously they want to take this whole podcast. So on the one hand you have this cool murder mystery and the introduction of a major NPC and Tres Horny Boys are marginally more coordinated than they have been thus far, even if the overarching plot doesn’t advance very far, but like on the other hand it also includes
—An entire town of Tom Bodetts
—Hand stank
—Everything about Jenkins’ introduction
—The Brief but Horrible Scottish Accent of Merle Highchurch
—“Sorry guys I had a really bad initiative roll”
—Graham the Juicy Wizard
—That moment where Magnus actually very nearly died because no one cared yet if one of them had to roll a new character so he just threw himself off a train
—Jenkins fucked up his roll to attack THB so badly and Griffin didn’t have a backup plan so instead of a boss fight Jenkins just got punched off the train and died
what did you wanted to see in civil war?
wanted to see a captain america movie for starters












